Concerto Competition Winner

2 04 2009

Greg Hearle from Church Stretton won the Shropshire Concerto Competition last night with a magnificent performance of the Clarinet Concerto by William Matthias.

Greg was accompanied by members of the Shropshire Sinfonia conducted by Robert Wysome performing in Theatre Severn in Shrewsbury.

Greg is the principal clarinettist in the Shropshire Youth Wind Orchestra and has been playing the clarinet for 9 years currently studying with Alan Atkin.

Congratulations on an superbly musical performance of a very demanding work.



A Fanfare for Quantum Leap

15 03 2009

COMPOSITION COMPETITION

 

 

Quantum Leap is currently being built in Shrewsbury town centre as a memorial to Charles Darwin, born here 200 years ago.  This stunning sculpture will be one of the largest pieces of public art in the country and sits opposite the brand new Theatre Severn on the banks of the river.

 

To mark the completion of Quantum Leap this summer a fanfare will be played across the river between the memorial and the Theatre.  To select the fanfare played there is a competition open to composers to create a new piece of music as detailed below:

 

 

  • The Competition is open to anyone up to the age of 18 years old.

 

  • The piece should be written for two brass ensembles and percussion to be placed on opposing sides of the River Severn,

 

  • The Fanfare should last no more than 3 minutes maximum.

 

  • Composers should take into account the difficulties associated with co-ordinating two such groups, and also the varied standard of players who will be drawn from the best county musicians.

 

  • Scores may be presented as hand-written, or in a suitable format such as Sibelius.

 

  • 2 or more copies should be submitted for judging purposes.

 

  • The judges will make their decision based on several factors:

 

  •  
    1. Arresting and exciting musical ideas.
    2. A practical approach to the writing of the piece.
    3. Music that is effective without being too demanding.
    4. Clarity of texture and ideas.
    5. Music which captures the spirit of the sculpture, its location and the theme of the River Severn, over which the fanfare will be played.

 

  • The Closing date for entries is Friday 1st May 2009

 

  • The winning entry will be announced as soon as possible after this date.

 

 

For further details about Quantum Leap visit www.discoverdarwin.co.uk

 

 

Please send your entries to:

Dominic Wallis, Rowley’s House, Barker Street, Shrewsbury, SY1 1QH

01743 281045

dominic.wallis@shrewsbury.gov.uk

 



Young composers

14 12 2008

A national competition is open to all young composers across the UK.  The competition is organised by the NCEM (National Centre for Early Music) and requires an unaccompanied work for soprano, alto, tenor and bass to be written for the Tallis Scholars who will perform the work in 2009 in York Minster.

There are two age groups, up to 18 and 19-25 and the closing date for entries is April 3rd.

Further details from http://www.ncem.co.uk/composersaward



Christmas Music

4 12 2008

Details of Christmas concerts presented by the Shropshire Music Service can be found at http://shropshiremusicservice.ethink.org.uk/



Music for Parents

8 06 2008

The follow link provides a range of sources to support parents in giving thier children a good start in music making.

Music for Parents



Humph

1 05 2008

Bad Penny Blues  link 1

Humph - wikipedia link 2



Shropshire Music Service Pops Orchestra

16 03 2008

The sixty-piece orchestra performed a charity concert for Hope House children’s hospice this afternoon at Meole Brace School. A magnificent sum of £1000 was presented to support the music room at Hope House.

The concert programme, performed by senior players and staff from the County orchestras and band, included music from current and classic cinema and theatre scores.

Performers who would like to join us for the 2008/9 season programme should please contact me.



Music at KS3 - new curriculum

13 03 2008

Two training days have been planned for all schools in South Shropshire (April 7th) and Shrewsbury (April 8th) to work together to review schemes of work to support the changes in the new curriculum for music, to be launched for year 7 in September 2008.

You will receive details of the agenda and venues for the day from your school. I hope these prove to be interesting days and also times when we can work together to redesign units of work.



Musical Futures - training

16 01 2008

Musical Futures (www.musicalfutures.org.uk) is a national initiative focusing on ideas and approaches which can personalise the music learning experience for young people at secondary level, and make it more enjoyable and effective, while still achieving and attaining.

There is a training session coming up on the 24th January 2008 at the Molineux Stadium in Wolverhampton. This CPD session aims to introduce delegates to the various models and approaches developed through Musical Futures, in a practical, hands-on way. The day is designed for teachers and other staff who might want to find out about Musical Futures in more depth.

For details contact westmidlands@musicleaders.net or on 0121 236 7978



Grove School Show

24 11 2007

I was delighted to receive an invitation to see ‘Little Shop of Horrors’ performed this week by a very strong cast at Grove School, Market Drayton, since their version of ‘Summer Holiday’ last year had been a totally enjoyable experience.

I attended the first night performance on Wednesday and the score was definitely ‘
Croatia 3 – The Grove 10!’ A most enjoyable evening made much more so since the diction was very good enabling the audience to hear the delights of the lyrics and dialogue.

A strength of the production was a uniformly very capable cast – good vocal work was a strong feature and very good characterisations throughout – unlike in many performances in some schools where the dramatic character is dropped as soon as a song begins.

I would particularly like to draw attention to the excellent work of the three students who linked the whole plot together as the characters Ronette, Crystal and Chiffon – they were outstanding – good stage presence, excellent communication with the audience and fine vocals with good well-balance harmonies – well done, Harriet, Mel and Hope, a great strength of the production.

I enjoyed the work of Marcus Groom as Mr Mushnik, he had created a convincing character and supported it with very good vocals; Audrey was played with style and confidence by Daisy McKee and earned the audience sympathy with a well sustained presentation seeming, initially, to be the only element of normality in a bizarre situation; Jonnie Hardy was amazingly over the top, a necessity for the role of ‘The Dentist’, he clearly thoroughly enjoyed the part which was an amalgam (!) of a sort of cross between Elvis, The Fonz and Hannibal Lecter – delicious! … and an inspired revisit of the chest-hair joke – brilliant!

Amy, Ollie and Robbie in smaller support roles made an impact – these were without the use of microphones and this caused a slight problem of balance in the vocal numbers but not a major issue.


Seymour played by Jo was such a considered characterisation – hesitant, exhibiting such low self-esteem and embarrassment that you were sympathetic even when he commits murder! Jo has a good voice – in places I felt the score was pitched a little low for him but he was convincing in this black role and with an extremely strong cast the vocal ensemble set pieces worked a treat.

The technical difficulties of this show should not be underestimated. It seemed to me that much time had been invested in this aspect of the show and it was really effective – the work of the sound and lighting team was very good. Some fine work had been undertaken to achieve a good sound balance in the musical numbers between the band and the voices – this was excellent – there’s nothing worse than seeing a show when the sound system is poor – not in this case. Excellent work Gareth and Jordan. This was well supported by the stage crew, Ben and Alex were presented with what must have been some complex set changes – these were very slick and made for a professional presentation.

Audrey #2 was a delight in all its forms – congratulations to Geert, Lyn and Stew for bringing the beast to life with good timing and effective ‘lip sync’.

This is truly an ensemble piece and the school is fortunate in having a talented group who magnificently held the audience’s attention and were responsible for creating much humour and fun – well done to all.

I’d like to say how good it is to see schools continuing to present major theatrical presentations at a time when it is so easy to focus on things that are easier to quantify and assess. A round of applause is deserved by the senior team of the school for supporting this vital work – so much of this weeks presentation will be remembered as a key part of school-life and long after the SATs scores have disappeared into history.

Congratulations to the cast and their directors Ken Stirling and Sharon Wright for another great show.






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